Artworks, Installation, Large-scale, Singapore Art Museum

Artwork: Dark Matter on exhibition at the Singapore Art Museum

(Photo : Justin Lin)

“Dark Matter” now occupies a single wall instead of two walls set at an angle due to curatorial decision.

“Dark Matter” and other fabulous works will be up at the SYF Arts and Crafts Exhibition 2010 at the Singapore Art Museum until the 22 of August 2010. A gamut of works are on display, ranging from traditional chinese paintings to a complex papercut installation.

Go down, have a look, and support us young Singaporean artists. 🙂

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Artworks, Intimate

Illustration: Black Swans update / Photography: 12x

THIS HAPPENED:

NOOOOOOOOOOOO

R.I.P Pencil. T__T

12x

SO when it came down to it, I didn’t sell this work at 12x.

I was rushing to finish it, and I never feel good rushing pieces because I could feel myelf getting tired and less inspired, and that would only affect the work.

I kind of hate/dislike it a lot now. I always seem to have a love-hate relationship with all my work, particularly if I’ve taken too long to complete them. Looking at unfinished work makes an artist feel ridiculously constipated and frustrated.

{  12x –An Art Experiment at Evil Empire, 48 Niven Road }

The (A)Stray/After-images series was sold to a cute graphic designer Michelle Fun (webbie: http://www.MichelleFun.com)

:3 Thanks loads Michelle, for being the first ever buyer of my work.

Smallness Sanguinary Severity Stateliness Security Sacrosanct Symmetry Stifledness Sins Sphinx Shadows

Secrets, Summer, Solitude, Solace, Sanctum, Sabotage

Solace, stillness, safety, society, stationary, sacred, shelter


{12x–From the perspective of a contributing artist}

An artist comes away from a melee  like 12x, where the audience’s preferences are clearly expressed in the sighs of disappointment or the silence that follows  when a work has been chosen by the current balloter, feeling a little like a gladiator thrown to the lions, where the favour of the crowd decides his/her fate.

Most artists were suitably pokerfaced during the balloting. Artists hate being judged. It was hard for me not to loose control and begin blabbering to Sarah (Sarah Choo, NYJC AEP senior whose work “Gestalt in the City” was extremely popular at 12x) in a nervous titter like I had lost all my brains.

What was interesting  to observe were the preferences of the balloters. Balloters go for an arresting visual, something that would give them enjoyment in contemplating and see hanging in their home.

Admittedly, artists create works with certain meanings that aren’t the most suitable in the home (Such as the “penis and vagina piece”). But then again, it’s all terribly subjective. I’m very sure there were very creative, discerning, open and informed individuals at the balloting, yet I can’t help but feel that there’s a disjunct between an artist’s opinion of what is a worthwhile work and that of the balloters.

Here I am tempted to wax lyrical about how people often choose a work mainly for aesthetic value–but I shan’t. I think preference is a very personal thing, and that was part of the main point of 12x. And I suppose all of us artists should realize that–that creating a popular work doesn’t necessarily make one acclaimed, nor does it mean you’re playing to the gallery.

Leaving oneself open to public opinion is always nerve-wrecking, but through it you learn. You regret certain choices when you see how those choices (such as deciding not to frame a work -kicks self- ) play out, and you may disagree vehemently with some opinions of others, but it’s all okay, really. It’s an experience, particularly for us young ‘uns, to the test the waters. Wait till we face the real art critics and collectors.

Congrats and thanks once again to Berny Tan, Alan Oei and Evil Empire for making 12x possible and a success!

This is Luca, signing out.

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Artworks, Candid, Design, Illustration, Intimate

Illustration: Black Swans

What I have been up to lately!

Sketches (SORRY, QUALITY ISN’T VERY GOOD. MY SCANNER IS IN SUCKAGE MODE RIGHT NOW):

(Last two images: Sneak peek at the drawing that’s gonna be sold)

I intend to sell the big piece at 12x at EVIL EMPIRE (Event Link: http://www.facebook.com/event.php?eid=122576357760737&ref=ts)  on Saturday, 12 June, 2010.

It’s a one-off piece and I realize it’s taking much longer to complete than I expected. I was going to do, like…three. x_x

In standard me-fashion I like the informal sketch (the two at the top) more than the big, slick one. Heheh. I’m so tempted to do it in that fashion, but I am worried it won’t look professional enough.

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Artworks, Intimate

(A) Stray Series

Secrets Summer Solitude Solace Sanctum Sabotage

Solace Stillness Safety Society Stationary Sacred Shelter

Smallness Sanguinary Severity Stateliness Security Sacrosanct Symmetry Stifledness Sins Sphinx Shadows

This series is about words and images gone astray. These works have been donated to Evil Empire’s “12x” art event, whereby 36 young artists create 36 works that will be sold through a balloting process.

These images were found after rummaging through my own personal folders. They have been processed so much, both physically and in thought that they are so different from their earliest and most raw incarnations. I don’t claim them to be spectacular, but I do find the meanings they evoke in different people interesting.

I think the form of the words used to describe, say, the Motel scene, are especially telling in their closed-up, self-focused nature. The ones used to describe  York Minster cathedral  are imposing in their own way–big, archaic words.

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Artworks, Installation, Large-scale, Schoolwork

Installation: Dark Matter

There are massive, dense voids between us, filled only by unknowing.

“Dark Matter” (A-level coursework), 240x620cm, Charcoal and cotton fibre, 2009

(Installation-drawing)

Artist’s statement: The title, “Dark Matter” refers to the mysterious matter that scientists postulate comprise most of our universe.  Like the dense unknowable substance of “Dark Matter”, people are elusive ideas in our heads that are constantly evolving and evade concrete definition, rendering full intimacy with another human being to be virtually impossible. These are the inevitable distances between us.

Probably the most intensive, insane, elusive work I have embarked on so far; its conceptualisation was chaotic , kudos to my indecisiveness. Charcoal became my medium of choice 4 months prior to submission after I fell in love with its expressive and organic nature while using it do do quick layouts drawings.

After many, many detours and happy accidents, it was completed in a flurry of two months amidst final year exams and tests.  I know I was terribly unsatisfied with the final products; NYAEP’s gallery show revived me and I slowly grew to love my baby.

“Dark Matter” placed Gold in this year’s Singapore Youth Festival Arts and Craft judging. If all goes as planned, it will be exhibited at the Singapore Art Museum in July, along with the work of Qixuan (http://tohellwithdancingletsdoart.blogspot.com/2010_01_01_archive.html) and the works of many other talented young individuals.

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2008, Artworks, Competition, Illustration, Schoolwork

Illustration: A Public Service Announcement…

An entry into the Central Narcotics Bureau’s Anti-Drug comic competition in 2008, which my art class encouraged us to participate in when I was 16. It won first place.

It’s quite heavily symbolized for a comic. The symbols are derived mostly from tarot cards and gaming cards, embedded with my early penchant for the gothic and macabre.

I took certain liberties with the tarot card symbolism, by introducing a non-existing “Life” card  in lieu of the tarot representative of life, the “Sun” Card (which would have been too esoteric, muddying the message of the comic). A pity the competition is held without use of the artist material that comes out of it for campaigns and such.

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